TGG13 REGISTRATION OPEN

 JOHN LAWLOR

Easy Groups of Chords You Can Use as Intros or Endings on almost any song: I’ll be showing easy substitute chords and some handy ideas for intros and endings.

Tuning – C-G-D-A

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TIM MAY

How to create solos: tremolos, neighbor notes, double stops, cross-picking, minor blues, major blues and more!  Hands -on, lots of playing.  Chicago Turning (DGBE)

GRANT FLICK

Tunewriting: We’ll look at strategies for composition and how to write your own music. By focusing on fiddle tunes and other short term pieces, we’ll discover how writing benefits overall musicianship. This will likely be a larger discussion and steered by student interest. Should be a good fit whether you’ve written a lot or none at all. All tunings are welcome but I will be in fifths of some sort

ALISON HELZER

The Neuroscience of Practice: What science teaches us about music, learning, and muscle memory. Alison uses her background in neuroscience to explain science-backed strategies for efficient practice and learning. 
All tunings welcome, but specific exercises will be provided in G-D-A-E

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AUGUST WATTERS

Chord Melody for Everyone (Yes, Everyone!): This accessible discussion will focus on how we intuitively associate chords with melody notes. Scale degrees and “Nashville numbers” 
are tools that can help! The process is the same in every tuning. (I will use C-G-D-A). Whether your goal is to sing and strum, jam with others, or play solo, this workshop is designed to help you understand and advance the music that’s already in your ears

PAUL GABRIELSON

Navigating the chord changes and bring more interest to your bass lines: I will discuss and demonstrate typical bass lines over common changes and how to fine tune them to support 
the ensemble or soloist and bring energy and life to a performance.

Tuning will be in fourths E-A-D-G (low to high) but will be applicable to all tunings

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TYLER JACKSON

 Tips for getting better at soloing, timing, and chord melody. Handouts will be provided.

Tyler will be using a CGDA Tenor, but concepts work on any tuning.

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 PAT MacSWYNEY

Learn“Old Time” traditional Native American dance tunes on Tenor Guitar. For melody players, we will learn a few traditional melodies that fit for both GDAE & CGDA tunings and for chord players, we will learn to back up the melody. Extending an open invite to any fiddlers, mandolin players or others who might want to join in and learn a few new tunes. Note that there is a rich, centuries-old fiddle tradition among many Native American tribes including the Cherokee, Yaqui, Inuit, Tohoho O’odham, Sioux & Metis, to name a 
few.

GERRY CARTHY

A chat about different tune types in Irish music e.g. jigs, reels, hornpipes, slow airs. A scale exercise in D and G – which illustrate the underlying patterns of the tunes especially as 
they relate to rhythm in Irish music. I will teach a Kerry polka – maybe two if there’s time. Using chords in slow airs.

Time for questions.